Wednesday 23 October 2013

Veronica Falls, The Dome, Tufnall Park, London, 23 October 2013

Veronica Falls played an accomplished and engaging set. They rattled through favourites and new material and kept the rather international audience enthralled.


The band's sound mixed melodic harmonies with a more scuzzy indie rock vibe with a pop sensibility. The lyrics are worth a listen too, quite dark at times but also witty. 


While they were playing we kept a note of where we thought we could spot musical nods, parallels or heritage. It is a tribute to the band that they have a tight, uniform sound throughout and at the same time got us thinking of early Blur, baggy, Depeche Mode, the Housemartins, Orange Juice and Teenage Fanclub.


Top notch music and an enjoyable show.

Bleached, Dome, Tufnell Park, London, 23 Oct 2013

Bleached played a fantastic rocking show. They were really tight and hammered through a well-structured set. 


The band connected brilliantly with the audience who really got into the show. 



Their playing was really finely honed throughout, but four or five songs really stood out, including a magnificent Dead in the Head and When I Was Yours, which they closed with, and really rocked out on.



Look forward to seeing them again before too long.

Tuesday 15 October 2013

Theme Park, Scala, 13 Oct 2013

Fantastic performance brought the sunshine inside and got the audience dancing on a chilly Tuesday night.


The band sounded great and played really well, with punchy bass and Nile Rogers guitars. The set list worked really well too, with a quality cover of Jessie Ware's Wildest Moments and a strong run at the end of the set.


The dramatic ending to Blind made us remember how great a clattering finale with everyone joining in to pound drums can be. It seems to have been overdone so much in recent years, but Theme Park showed how it should be done.

Night Engine, Scala, London, 15 Oct 2013

Eighties-influenced pop, with some funky basslines. A couple of real stand out tracks and some nice dynamics at times.



Tuesday 1 October 2013

Fanfarlo, Hoxton Bar & Kitchen, 1 October

A high octane evening to celebrate the band's new EP opened with The Sea. Fanfarlo's set showcased their accomplished musicianship, but not at the expense of an up tempo and thoroughly enjoyable set. The violin was classy, and we loved the trumpet and sax. 

The band's multi-instrumental songs which managed to conjure 80s alt-pop, rock and a bit of folk together with some beautiful harmonies put us in mind of the Delgados overall. Their versatility, tightness and spark as a band meant they didn't stop there.

The guitars were ditched to perform the the second track on the EP. This had a really danceable beat and made us feel a bit Talking Heads.

Fanfarlo hammered through their set. They got the funk for an unlikely love song about having a cold and whipped up the crowd for a cover if Orange Juice's Rip It Up. 

The evening finished with a not at all surprise encore. Fanfarlo and the audience seemed thoroughly elated.




Pale Seas, Hoxton Bar & Kitchen, 1 October 2013

Melodic, jangly rock, driven by the lead singer's acoustic guitar and quite reminiscent of late 80s US college radio sounds. There were nice harmonies between lead singer and girl drummer. They also have a bit of a secret weapon in the bassist doubling up on keys and effects.


They  had a well prepared set list and strong transitions between songs which worked really well.

The way the last song really built to create an enveloping sound of first vocals then instrumentals was really good. A bit reminiscent of Carwash Hair-era Mercury Rev at times and of Mona at others. It would be great to hear some more of their material.



Tuesday 3 September 2013

Cayucas, 100 Club, London, 3 Sept 2013

Really fun and well structured show from the Cayucas guys. The crowd had a rgood time and enjoyed the chat between songs, about the band's travels to Dublin and Dorset.



Good variation in sounds, too - the numbers when the frontman put his guitar down felt really intimate at times and then at other points they really lifted off.


The band brought Afro-pop influenced airy summer sounds and a joyful Tuesday evening to the 100 Club.





Keebo, 100 Club, London, 3rd Sept 2013

Look 90s, sound alt-80s girl band, like they come from a John Hughes sound track. Round-style overlapping harmonies created hypnotic layers of sound. 



They also had good dynamics with effective shifts in volume and tempo. Some of the longer, stretched out songs sounded like Madder Rose as they built, fell away and built again. 

The songs have an unexpected Tropicalia feel which worked well for a sunny early September evening. The rhythm section did a great job at driving their sound, giving the songs real oomph.


Saturday 25 May 2013

Bat For Lashes, Field Day, London, 25 May 2013

A really good show as the sun went down. The audience was held rapt during the quieter, slower numbers, especially a mesmerising Laura. When the more pulsating tracks came along everyone was shaking their stuff and the ladies were trying out their 'interpretative' dances from teenage years. A fun end to the daytime.



Local Natives, Field Day, London, 25 May 2013

What a surprise. Everyone had been very tight-lipped about who the line-up's 'very special' guests were. There were rumours that Vampire Weekend might make an appearance. Quite a few members of the audience clearly recognised the band as they set their equipment up. People came rushing in as they'd obviously heard from their friends who was playing. We didn't immediately recognise them but a few songs in recognise songs we knew and were very excited. The set was really really fun. They played a run of songs of their first album which we knew well and many in the audience did too. The set was really well structured and built very effectively towards the end. The band seemed very excited to be playing and pleased with the turnout in the tent, especially given that the show hadn't been announced. They'd flown over from Barcelona that morning and said they were tired but very pleased to see so many people. It was a real joy and highlight of the day.



Kurt Vile and the Violators, Field Day, London, 25 May 2013

They looked and sounded like a whole band of J. Mascises, quite 90s American rock, but more four to the floor than Dinosaur jr. On some of the songs the band had three guitarists and no bassist.They also had a big dollop of Lou Reed and 70s Dylan about them.

James Yorkston, Field Day, London, 25 May 2013

James was backed by a five piece band (double bass, drums, violin, keyboard and a female vocalist) and played folky rock with a Celtic tinge. There were some good and really striking acapella sections with great harmonies, especially on the entirely acapella 'Tortoise regrets hare'. The crowd was pretty enthusiastic and grew steadily through the set. They played a lovely, soulful cover of Erasure's 'A Little Respect'. Then they played a run of three really great songs to close the set, ending with a really great wig out reminiscent of Wilco's 'Kidsmoke'.

Splashh, Field Day, London, 25 May 2013

Psychedelic, baggy sounding with a nod to Field Day stalwart Tim Burgess's Charlatans in sound and appearance. Swirly keyboards. A sound to suit the welcome emergence of the sun.



CHVRCHES, Field Day, London, 25 May 2013

Really enjoyable upbeat set. The band were playing to dozens times as many people as when we saw them IN Austin and seemed to be lapping up the audience's enthusiasm. Lots of people knew 'Recover' and it prompted waves of hands in the air dancing. A really uplifting and joyous set.

Feathers, Field Day, London, 25 May 2013

All girl electro bassy Goldfrapp channeling Abba meets Erasure. The singer tries hard to generate a stage presence. For a band making music which should make people tap their feet, some of the other band members could look a little less bored. Fourth song was a stand out, and the band seemed to know it, seeming to lift themselves as they went into it. An enjoyable set.

Charlie Boyer and the Voyeurs, Field Day, London, 25 May 2013

Enjoyable, loud early-90s-style rock. Band were tight and looked young, so may be one to watch out for as they develop.

Tuesday 19 March 2013

Beatles Tribute, Fri 15 March 2013, St David's Bethell Hall, SXSW 2013 (The Grammy Museum, Musical Milestones: 50 Years of the Beatles)

This was a really fantastic evening organised by the Grammy museum. A succession of artists took on two Beatles songs each to make their own and then moved off to allow the next artist their turn. A great way to experience so many musicians interpreting Beatles favourites.

The Dunwells took on Come Together and Norwegian Wood, with great harmonies and nice arrangements. Come Together was brooding and rumbling. Norwegian Wood took off into a hoedown in the second half.

Tori Kelly sang Blackbird, in a lovely rendition that made it sound like a Joni Mitchell song, and Eleanor Rigby, as a Chicago blues number.

Jovanotti sang Yesterday, in a spaghetti western style, and I Saw Her Standing There, in a rockabilly version, with both in Italian. He explained how big pop hits used to be translated into Italian, but that the Beatles never approved the translations of any of their songs, and the "translations" often bore no relation to the original words.

Ron Sexsmith covered Old Brown Shoe and Mother Nature's Son, which he'd rehearsed, and then Lucy in the Sky with Diamonds, we he hadn't, but he'd been asked just before he came on if he could do three songs. For Lucy, he asked if we could help him out on the chorus.

La Santa Cecilia sang a great bluesy rock version of I Want You (She's So Heavy) and then a wonderful Strawberry Fields Forever, in Spanish and in a tango style, re-imagined and dedicated to people who work the land.

Andy Allo from Prince's New Power Generation sang Yesterday and a soulful version of Let It Be, then a new song of her own.

David Garza took on Julia, She Loves You and then Ron Sexsmith joined him for Here Comes The Sun, which they had just worked up in the dressing room.

Jenny O covered Paperback Writer b-side Rain and then I Will.

Pyramids, the OK-Go and He Say She Say supergroup, sang I'm So Tired, Dear Prudence and then their own Don't Go.

Alexandra and the Starlight Band ripped through glittery garage rock versions of Get Back and Dig A Pony.

Nina Diaz from Girl in a Coma took on Something and In My Life.

Tom Freund sang With A Little Help from My Friends, joined by David Garza, then his own song Collapsable Plans.

With the lyrics on his iPad Mini Luke Sital-Singh covered Honey Pie and did really great version of Girl, with delicate guitar picking and really powerful and touching vocals. He said that, rather than being brought up on The Beatles, he'd be brought up on Chris de Burgh, but that luckily Chris had covered Girl.

Steve Forbert sang great rock and roll versions of You Can't Do That and I'll Follow The Sun, and then his own song about imagining John and Paul meeting.

Blue Sky Riders, including Kenny Loggins, took on Nowhere Man and Help in a bluegrass country style and then a version of their own song Just Say Yes.

Delta Rae sang Oh Darling

Willie Nile spoke about visiting Paul McCartney and John Lennon's childhood houses. He was told about John's treehouse ("No one I think is in my tree...") and about the two of them singing in Paul's porch (or "vestibule" as Willie said). He sang Hard Day's Night and Anytime At All. He also told a sad story about lending guitar strings to John, who was recording in the same set of studios, on the night John was shot. He then closed the evening with a rabble-rousing version of Revolution.